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The aesthetics of the woman who dances alone, the game with the hat, dancing without castanets, holding on to the skirt and using a shawl for the dance, are some of the elements that will later be configured in flamenco aesthetics.
This text is an invitation to discover the mysteries of a dance that we all have in our vocabulary, but most of its origin and development is unknown. The author takes us to that discovery in a very pleasant journey that takes place from the 19th century to the present day, and in which collaterally, we can also discover aspects of Spanish Dance, little studied until now, and that open up new foci research.
Italian | Spanish | German | UK | US | Japanese | Chinese | Russian | Korean |
---|---|---|---|---|---|---|---|---|
34 | 30 | 28 | 4 | 00 | 3 | 155/75A | 36 | 44 |
36 | 32 | 30 | 6 | 0 | 5 | 155/80A | 38 | 44 |
38 | 34 | 32 | 8 | 2 | 7 | 160/84A | 40 | 55 |
40 | 36 | 34 | 10 | 4 | 9 | 165 / 88A | 42 | 55 |
42 | 38 | 36 | 12 | 6 | 11 | 170/92A | 44 | 66 |
44 | 40 | 38 | 14 | 8 | 13 | 175/96A | 46 | 66 |
46 | 42 | 40 | 16 | 10 | 15 | 170/98A | 48 | 77 |
48 | 44 | 42 | 18 | 12 | 17 | 170/100B | 50 | 77 |
50 | 46 | 44 | 20 | 14 | 19 | 175/100B | 52 | 88 |
52 | 48 | 46 | 22 | 16 | 21 | 180/104B | 54 | 88 |